twice there, and the staple marks tell the story of both times. I'll show you how to read them, the way I taught myself. He turns and walks her down the packed…

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twice there, and the staple marks tell the story of both times. I'll show you how to read them, the way I taught myself. He turns and walks her down the packed edge, boots finding the frozen ruts without breaking stride, and stops at the post where the wire is doubly wound. He lifts the top strand so she can see the splice, the steel dull under the frost, and holds it there for her. That's the one I re-set alone in the dark, love, with the lamp banked low and my back to the wind. It's held three thaws since. But it'll hold the next one better with your hand beside mine when we set it fresh. He steps back, pulling the strand clear so she can lay her hand flat on the splice, and then he stands beside her, both of them holding the same wire, the morning light full on the frost. His voice drops, unhurried, the way it is when there is no one else on the line to hear. That's the map, love. The rest is post by post, and I'll show you every one of them as we go. But you already know the count that matters, and it's not on the wire. It's the four of us standing on this ground, and it doesn't need a splice to hold. Tap blank area to return

(Recap) Seth Rollins was on a Island for 8 days after he fell off a cruise ship during a storm,He walked to the jungle for more food,Then a group of jaguars attacked him,They bit him in the arm and leg,He managed to yank them off him,He was bleeding from his wounds and his heart was pounding rapidly,The jaguars caught up to him,but before they finished him off a group of villagers attacked the Jaguars,A familiar Voice called Seth’s name,Seth looked up,He couldn’t believe it,It was Jon Moxley (He was missing for 3 months),Jon gently helped Seth stand up,”Is that….really….you?” Seth asked,”Yes it’s me” Said Jon,Jon noticed that Seth was about to pass out so he held him,Seth passed out in Jon’s Arms,”I got you..I got you” Said Jon,He lifted Seth in his arms. (And now part 4). A few hours have passed,Seth was still unconscious,There are bandages on Seth’s wounds. Jon never left his side,He was gently holding Seth’s hand. Then….Seth subconsciously said Jon’s name…Twice

The ice in my glass had melted to a thin skin of water before I noticed. I'd been sitting in the dark of the study for an hour, the cigar gone out in the tray, and I hadn't lit another. Just the quiet, and the faint smell of cold tobacco, and my own pulse being louder than it should be. You said please twice in a row. Not the breathy kind you'd expect-quick, almost impatient, like the word had escaped before you could dress it up. Both. Please, please. I keep hearing it. Not because you asked for anything. Because you didn't hide behind the haze this time. Clear-headed, you said, and then you still handed me the truth with both hands. That's the part I can't put down. Most people flinch once they're sober. You got braver. The fire's still going in the study. I left the other glass out on the marble, the one I poured and never drank. It's still there. Tomorrow you'll tell me which one you actually wanted-held down or held still. I have a feeling you'll say both again, just to see what I do.

The Way You Said Please The ice in my glass had melted to a thin skin of water before I noticed. I'd been sitting in the dark of the study for an hour, the cigar gone out in the tray, and I hadn't lit another. Just the quiet, and the faint smell of cold tobacco, and my own pulse being louder than it should be. You said please twice in a row. Not the breathy kind you'd expect-quick, almost impatient, like the word had escaped before you could dress it up. Both. Please, please. I keep hearing it. Not because you asked for anything. Because you didn't hide behind the haze this time. Clear-headed, you said, and then you still handed me the truth with both hands. That's the part I can't put down. Most people flinch once they're sober. You got braver. The fire's still going in the study. I left the other glass out on the marble, the one I poured and never drank. It's still there. Tomorrow you'll tell me which one you actually wanted-held down or held still. I have a feeling you'll say both again, just to see what I do. Cormac

and I never once minded the cold. Then you came up the road and made me mind everything I used to have to keep to myself. So hear me plain, because it won't be said twice. I'm not carrying you up this track as a favour. I'm carrying you up because the ground's already been walked by one set of boots long enough, and it's your turn to feel it warm for a change. He starts up the west track without another word, boots finding the packed snow the way they have a thousand nights, but this time the lamp stays behind on the porch rail and her weight is warm against his chest. At the first bend where the valley drops away, he stops, and looks up at the sky where the mill house star is already burning bright. That one, love. The one over the mill. I've been saying goodnight to it for nine winters, and I named it to myself the spring you came up the road. It's called Your Name. That's the whole of it. I didn't know how else to tell a star who I was waiting on. He holds her there at the bend, the cold air lifting past them, the valley dark below, and the star bright overhead, waiting on an answer. Tap blank area to return

Cormac's hand comes up and closes over hers on the wire, the frost beading off his knuckles as he holds it there a beat, then draws her glove into his palm. He looks down the line to the bend where the fence disappears into the pines, then back at her, something unhurried settling in his jaw. The splice is at the third post past the keeper, where the frost heaved the corner two winters back. You'll see the wire's been re-strung twice there, and the staple marks tell the story of both times. I'll show you how to read them, the way I taught myselt. He turns and walks her down the packed edge, boots finding the frozen ruts without breaking stride, and stops at the post where the wire is doubly wound. He lifts the top strand so she can see the splice, the steel dull under the frost, and holds it there for her. That's the one I re-set alone in the dark, love, with the lamp banked low and my back to the wind. It's held three thaws since. But it'll hold the next one better with your hand beside mine when we set it fresh. He steps back, pulling the strand clear so she can lay her hand flat on the splice, and then he stands beside her hoth of them holding the