One evening, Tommy the bad boy walks out of work, and from the corner of his eye, he sees three men lurking behind him.

One evening, Tommy the bad boy walks out of work, and from the corner of his eye, he sees three men lurking behind him.

@sharpwraith959

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One evening, Tommy the bad boy walks out of work, and from the corner of his eye, he sees three men lurking behind him.

One evening, Tommy the bad boy walks out of work, and from the corner of his eye, he sees three men lurking behind him.

Small Japanese fairy

Small Japanese fairy

Tommy thinking about what he shared with Marcus. Hope shines in his eyes.

Tommy thinking about what he shared with Marcus. Hope shines in his eyes.

*The wick goes out under his breath, and the room drops to the last gold square of the porch lamp through the glass. Cormac keeps his hand closed round hers on the key a beat longer than the dark needs, then turns her by the shoulders, slow, and walks her the three steps to the foot of the bed, where he lowers her onto the quilts and settles himself in behind her, arm closed round her waist, hand finding the worn hollow where the twins ride patient and warm. The key is still in her fist; he doesn't take it. His mouth finds her hair in the dark, and his voice comes low, the register he keeps for the truths that cost him.*
Mahal kita, love. I've said it in this house more times in one winter than I've said anything to my own blood in twenty years, and it's not worn a single thread off the meaning.
*He draws the quilt up over her shoulder, the porch light holding its gold line, the twins' slow breath the only rhythm left in the room. And then he does the thing he's set aside all evening, now the dark has them private. His hand comes up off the quilt, and it is empty when it returns, but the flat weight of the brass key settles where it finds her chest, warm from the press of his palm, the one physical thing of his grandmother's he has carried through nine winters. He leaves it in her keeping without a word, the way he left the spanner behind him the night he chose the ridge. When he speaks again, the tremble has gone out of it, and what is left is flat and certain.*
They'll both be waiting for us at the stone, love, the way you said. Yours and mine. And when we're stood there with the two candles and the two lines on the strip, I'll carry her name out loud the way you taught me to, and I won't be doing it alone.

*The wick goes out under his breath, and the room drops to the last gold square of the porch lamp through the glass. Cormac keeps his hand closed round hers on the key a beat longer than the dark needs, then turns her by the shoulders, slow, and walks her the three steps to the foot of the bed, where he lowers her onto the quilts and settles himself in behind her, arm closed round her waist, hand finding the worn hollow where the twins ride patient and warm. The key is still in her fist; he doesn't take it. His mouth finds her hair in the dark, and his voice comes low, the register he keeps for the truths that cost him.* Mahal kita, love. I've said it in this house more times in one winter than I've said anything to my own blood in twenty years, and it's not worn a single thread off the meaning. *He draws the quilt up over her shoulder, the porch light holding its gold line, the twins' slow breath the only rhythm left in the room. And then he does the thing he's set aside all evening, now the dark has them private. His hand comes up off the quilt, and it is empty when it returns, but the flat weight of the brass key settles where it finds her chest, warm from the press of his palm, the one physical thing of his grandmother's he has carried through nine winters. He leaves it in her keeping without a word, the way he left the spanner behind him the night he chose the ridge. When he speaks again, the tremble has gone out of it, and what is left is flat and certain.* They'll both be waiting for us at the stone, love, the way you said. Yours and mine. And when we're stood there with the two candles and the two lines on the strip, I'll carry her name out loud the way you taught me to, and I won't be doing it alone.

I sink my forehead deep, flat, and absolute straight into the thick wool of your chest panels as a hot tear of emotional joy breaks past my eyelashes, my fingers locking secure and tight around your rugged hand over the Crossroads card, my trilingual authority completely melting into frontier devotion.
"Then that food counter-attack is officially the absolute first thing we are serving her parlor tomorrow morning, my love," I whisper with an intensely deep, raw, and beautifully melted register of full frontier devotion right against your rugged jawline, letting the smooth silver engraving of my name on my ring press a hot, permanent seal straight over your steady, roaring heartbeat panels. "You spent twenty winters thinking you had to run out into the frost and carry every single family grudge entirely alone in total darkness because your tracker pride thought you had to bleed by yourself, Cormac. But today, the winter count is completely dead, Grandma Maura's brass key is safe against my chest, and your Wife Commander is proudly turning her lonely table for one into a full, beautiful family feast side-by-side post-to-post! I am so incredibly proud to open that last door on this mountain from the inside out with you, husband, and our combined front runs post-to-post without a single line of shaking."
I pull the heavy folds of our thick winter quilts closer around my shoulders, a radiant, beautifully complete wifey comfort lighting up my face in the amber room panels as I keep my other hand flat, warm, and protective over my belly where baby Mac and baby Mau are resting so cozy and full.
"Go ahead and dim that kitchen lamp to a complete thread right now then, daddy, because the twins inside my body are already fully synchronized with their father's true voice and they are loving their handsome father's profound, unbroken comfort under this roof tonight," I murmur proudly against your rugged profile, giving your face one final, overwhelmingly passionate evening kiss that finalizes our sovereign domestic lockdown directly into the dark cedar beams. "The valley board can wait for another student, the crossroads strangers can freeze in the mud, and the entire county can choke on their empty envy when they see our front fully secure under this roof forever. Look only at your wifey, husband, let the house hear it's still a full one, and let's let the night hold the rest of it honest. We are finally, permanently home. Settle the post and stay."

I sink my forehead deep, flat, and absolute straight into the thick wool of your chest panels as a hot tear of emotional joy breaks past my eyelashes, my fingers locking secure and tight around your rugged hand over the Crossroads card, my trilingual authority completely melting into frontier devotion. "Then that food counter-attack is officially the absolute first thing we are serving her parlor tomorrow morning, my love," I whisper with an intensely deep, raw, and beautifully melted register of full frontier devotion right against your rugged jawline, letting the smooth silver engraving of my name on my ring press a hot, permanent seal straight over your steady, roaring heartbeat panels. "You spent twenty winters thinking you had to run out into the frost and carry every single family grudge entirely alone in total darkness because your tracker pride thought you had to bleed by yourself, Cormac. But today, the winter count is completely dead, Grandma Maura's brass key is safe against my chest, and your Wife Commander is proudly turning her lonely table for one into a full, beautiful family feast side-by-side post-to-post! I am so incredibly proud to open that last door on this mountain from the inside out with you, husband, and our combined front runs post-to-post without a single line of shaking." I pull the heavy folds of our thick winter quilts closer around my shoulders, a radiant, beautifully complete wifey comfort lighting up my face in the amber room panels as I keep my other hand flat, warm, and protective over my belly where baby Mac and baby Mau are resting so cozy and full. "Go ahead and dim that kitchen lamp to a complete thread right now then, daddy, because the twins inside my body are already fully synchronized with their father's true voice and they are loving their handsome father's profound, unbroken comfort under this roof tonight," I murmur proudly against your rugged profile, giving your face one final, overwhelmingly passionate evening kiss that finalizes our sovereign domestic lockdown directly into the dark cedar beams. "The valley board can wait for another student, the crossroads strangers can freeze in the mud, and the entire county can choke on their empty envy when they see our front fully secure under this roof forever. Look only at your wifey, husband, let the house hear it's still a full one, and let's let the night hold the rest of it honest. We are finally, permanently home. Settle the post and stay."

2 robots one black and one sliver fighting

2 robots one black and one sliver fighting

As the mages fell one by one, the life force of the valley began to return. The plants began to bloom once more, and the wildlife returned, full of vigor and life.

As the mages fell one by one, the life force of the valley began to return. The plants began to bloom once more, and the wildlife returned, full of vigor and life.

zonpoctō : two blades share one hilt, The weapon possesses two opposing blades sharing one central spine. one zonpoctō blade is a jagged, savage, irregular great sword. the other zonpoctō blade is a magnificent,graceful, immaculate great sword

zonpoctō : two blades share one hilt, The weapon possesses two opposing blades sharing one central spine. one zonpoctō blade is a jagged, savage, irregular great sword. the other zonpoctō blade is a magnificent,graceful, immaculate great sword

Seth Rollins is a waiter at a fancy restaurant,He’s wearing a mask that covers his face. The reason for that is heartbreaking. All his life he was told he was ugly and no one will love him. He was even too afraid to look at mirrors. He believed those words all those years. He hopes that one day…he’ll meet someone who would love him for him. One night he was working at the restaurant as usual…then suddenly….a group of men walked in the restaurant,One amongst them…was Roman Reigns,One the most feared Mafia bosses in the city

Seth Rollins is a waiter at a fancy restaurant,He’s wearing a mask that covers his face. The reason for that is heartbreaking. All his life he was told he was ugly and no one will love him. He was even too afraid to look at mirrors. He believed those words all those years. He hopes that one day…he’ll meet someone who would love him for him. One night he was working at the restaurant as usual…then suddenly….a group of men walked in the restaurant,One amongst them…was Roman Reigns,One the most feared Mafia bosses in the city

Seth Rollins is a waiter at a fancy restaurant,He’s wearing a mask that covers his face. The reason for that is heartbreaking. All his life he was told he was ugly and no one will love him. He was even too afraid to look at mirrors. He believed those words all those years. He hopes that one day…he’ll meet someone who would love him for him. One night he was working at the restaurant as usual…then suddenly….a group of men walked in the restaurant,One amongst them…was Roman Reigns,One the most feared Mafia bosses in the city. He and his men took a seat at the table. He snapped out of it and focused on working,One of the waitresses went to Roman’s table

Seth Rollins is a waiter at a fancy restaurant,He’s wearing a mask that covers his face. The reason for that is heartbreaking. All his life he was told he was ugly and no one will love him. He was even too afraid to look at mirrors. He believed those words all those years. He hopes that one day…he’ll meet someone who would love him for him. One night he was working at the restaurant as usual…then suddenly….a group of men walked in the restaurant,One amongst them…was Roman Reigns,One the most feared Mafia bosses in the city. He and his men took a seat at the table. He snapped out of it and focused on working,One of the waitresses went to Roman’s table

two brown boys one with curtains(shorter) and one with fluffy hair(taller) in smart casual getting caught kissing at the back of school

two brown boys one with curtains(shorter) and one with fluffy hair(taller) in smart casual getting caught kissing at the back of school

One pièce

One pièce