Tall, athletic build with long white hair fading to gold at the ends. * One Hollow horn curves upward from the right side of his skull. * Golden eyes with…

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My love ur here I love you so so much mahal q we’re are u going come back here oooooops sorry hi I’m Harper we’re are going with my mahal wait sorry mahal it my husband my meet my mahal q & the girls nice to meet u ma’am I’m here to get my wife I thought ur staying tonight u hug ur best friend & saying sorry mahal I can’t but promise tomorrow I comeback yaaaah yaaaah then kiss the girls said goodbye welcome home friends u Mrs take care of mahal ok yeeeees ma’am drive safe mahal gwapo husband bring him tomorrow we’re not properly introduced sure my mahal bye enjoy not to much fun😘byeeeeeh

My love I’m with girls na & we’re at resto bar my love I’m gonna drink my love 😍 how’s your meeting u video call right away my love you’re drinking your but you’re driving my love it’s not safe my love my that’s why im calling u my love about that I’m not gonna lie I’m already tipsy my love that why I called my friend said I’m staying here that’s why he give me drink so I can drunk not to go home tonight my love but I don’t want to stay here I said I’m gonna come back tomorrow anytime I can come back here I can’t sleep without you my love 😍 I coming their my love stay they’re don’t you dear drive home I’m on my way your already drunk

My love by the way later I’m goin to meet my friends later my love I’m driving my car my love cause she just got back here from Dubai my love so I’m gonna met her at the airport then she want me to drive her to her hotel my love isn’t to you my love 2pm I’m going to check in to the her a hotel cause she can’t booked it & then 4pm her arrival her my so what time are gonna come home my love I’m worried your driving to late if u want I can come my love I can drive my love about that my love I do want u to come but my best friend missed me & our other friends gonna follow there at hotel my love and she wanted that no boyfriend allowed my love because she missed us my love I promise my love I will be careful when I’m driving my love mwah I update u kiss him & also u have a meeting right my love I can cancel that my love I know u worried my love u don’t be my love 😍 then u hug me u promise u slow down your driving my love I kisses u promise my love mwah Iov u so so much my love update me please my love so I need to go now my love I’m gonna meet my partner ok my love t.c care don’t work to hard my love no girls your mine eyes on bs partner if girls flirt u or come near u what are gonna do my love I video call u right away & tell them I’m loyal my heart my life is my wifey only good answer my love call me & let me face that bitches hahaha 😂 yeees my queen 😘

(Recap). It’s the year 2015,Seth Rollins was kidnapped By Dean Ambrose,The world was black,Then Seth slowly opened his eyes,He was in some sort of room,He slowly sat up,He was confused as to where he is and why he’s here,He got up and walked to the door,He turned the door handle it was unlocked,He slowly walked out into the hallway,He slowly and quietly walked downstairs,When he got downstairs he noticed Dean who was sleeping on the couch with a movie on,“He looks so peaceful when he sleeps” Seth thought to himself,Then he shook his head,”What am I saying? I gotta snap out of it and get out of here!” Seth thought to himself,He noticed the front door and quietly walked to it,He reached for the door handle but he hesitated for some reason,He just stood there,After a while he removed his hand from the door handle,”What’s going on with me?” Seth thought to himself,Then an arm wrapped around Seth’s waist,Seth gasped softly,Dean whispered in Seth’s ear “Having second thoughts Baby Boy?”. (And now part 3). Seth’s breath hitched a little. Dean chuckled a little. He lifted Seth in his arms,then he walked back to the couch

Good morning my love breakfast in bed my love 😍 what ups with the red & pink roses my love anything for my love queen 👸🏼 your so so sweet my love ur rest up today my love my love I feel great my love me to last night was my favorite thing ever my love thanks for let’s eat up have some fresh orange juice eating sitting ur lap I want this forever my love 😍I’m going to bathroom my love my love why are looking at me that way u make me blush I like it when ur wearing my white polo shirt then ur hair ponytail messy I like that natural so so sexy ah I like it much to my love then u twirling in moves your hips towards him then u kissed him my love can I smoked my love I’m full my love my love sure my 1 stick ok 👍🏻 mwah 😘 love u 😘 while my sister called me with my nephews while smoking baby taking to my baby’s nephews & that’s my baby girl so so sweet 🥹 u can’t wait some more u join her to terraces hug her & she said say hi to Tito boys look at them my love so so cute baby my love we can make it that my love & my sister heard u said hehehe 🤣 cause she knows you don’t like kids your owned then u did not answer me my love u said goodbye with ur nephews & sis u kissed him my love did I say something wrong??? Then u answered him with kisses and said love u so so much my love mwah 😘 & u smiled her back mwah 😘

PANEL 1 — THE BLUE PLANET A breathtaking view of Earth from space. Blue oceans stretch across the planet, clouds swirl over enormous continents, and countless stars shine in the darkness. Earth looks peaceful and ordinary. NARRATION: “We call this world… Earth.” PANEL 2 — BEYOND THE HORIZON A vast landscape stretches farther than the eye can see. Towering mountain ranges, endless forests, enormous oceans, and distant lands disappear into the horizon. The scale feels almost impossible to comprehend. NARRATION: “A world whose true boundaries remain unknown.” PANEL 3 — THE IMPOSSIBLE EXPANSION Deep beneath the surface, far away from every living observer, the very structure of the world appears to stretch outward. Enormous cracks of light trace through the darkness as distant layers of land shift and new spaces emerge beyond the existing world. No person is visible. No explanation is given. SFX: KRRRRRMMMM… PANEL 4 — A WORLD WITHOUT LIMITS Return to the surface. A distant mountain range stands beneath a vast, unfamiliar sky. Everything appears normal, and no one seems to notice anything unusual. NARRATION: “And yet… this world continues to grow.” FINAL PANEL — BLACK A completely black panel. No character, no explanation, only one final line. NARRATION: “But how much longer can a world expand before its own existence becomes a mystery?”

CHARACTER REFERENCE — SORA AMAMIYA Create an original male shonen manga protagonist named Sora Amamiya. Use a consistent black-and-white Japanese manga art style with clean ink lines, detailed cross-hatching, and dramatic screentones. HAIR: Messy, layered jet-black hair with distinctive pointed strands and uneven bangs falling over his forehead. Keep the hairstyle identical in every appearance. EYES: Sharp, deep-grey eyes with dark pupils and clear outlines. Keep their shape consistent between panels. FACE: Youthful facial structure, defined eyebrows, straight nose, and a serious but natural expression. No facial scars, tattoos, or markings. OUTFIT: A fitted black high-collar jacket with silver buttons, a plain dark shirt, black trousers, a narrow belt, sturdy lace-up boots, and simple wrist wraps. No clan symbols, badges, or logos. SILHOUETTE: A recognizable slim, athletic shonen protagonist design. Keep the hairstyle, facial features, proportions, and clothing identical across all illustrations. ART STYLE: Traditional black-and-white manga, high-contrast ink shading, screentones, expressive eyes, crisp line art, and cinematic panel composition. IMPORTANT: This is the same character in every image. Do not change his hair, eyes, outfit, or facial structure. Do not add weapons, supernatural effects, accessories, or powers unless explicitly requested.

DRAGON STRIKERS PAGE 3 — A WORLD WITHOUT END STYLE: Black-and-white manga, cinematic landscapes, high-contrast ink shading, detailed screentones, dramatic perspective. PANEL 1 — THE SCALE OF THE WORLD Shape: Large horizontal panel occupying the top quarter of the page. Camera: Extreme wide shot from high above a mountain range. Drawing description: Enormous mountains stretch across the background, their sharp peaks piercing through layers of clouds. Rivers wind through deep valleys, connecting vast lakes and distant forests. Tiny settlements are scattered across the landscape, almost invisible compared with the immense natural world surrounding them. Use thin white highlights along the mountain peaks to create the impression of sunlight. Dark screentones should fill the valleys, making them appear deep and mysterious. The horizon should be so distant that the landscape seems to continue beyond the panel itself. NARRATION BOX: “No map has ever revealed the full extent of this world.” PANEL 2 — CIVILIZATION Shape: Medium horizontal panel. Camera: High-angle view of a settlement. Drawing description: A settlement lies between enormous mountains and a broad river. Buildings of different sizes line narrow roads. Bridges cross the river, and tiny figures move through the streets. In the background, show enormous walls of rock surrounding the valley. Their scale should make the settlement look almost insignificant. Keep the buildings and people detailed in black ink, with lighter screentones in the distant scenery. There should be no visible signs of destruction or panic. Everything appears ordinary. NARRATION BOX: “Civilizations rise, grow, and disappear within its endless reaches.” PANEL 3 — THE DISTANT FRONTIER Shape: Tall vertical panel extending down the left side of the page. Camera: Low-angle shot looking toward a distant mountain pass. Drawing description: Two immense rock formations stand on opposite sides of a narrow passage. A winding road disappears between them and continues toward an unknown landscape. Jagged rocks fill the foreground. Fine lines and dense shadows emphasize their rough surfaces. Clouds gather behind the mountains, partially hiding the peaks. The road should look small against the surrounding terrain, drawing the reader’s attention toward the unknown beyond it. No characters need to appear in this panel. NARRATION BOX: “Beyond every known path lies another unknown.” PANEL 4 — THE SILENT WORLD Shape: Wide horizontal panel. Camera: Extreme wide shot of the distant horizon. Drawing description: A vast plain stretches beneath a sky filled with layered clouds. A river cuts through the land, disappearing behind distant hills. Mountains form several overlapping silhouettes, each lighter than the one before it. Use a large amount of open space. Avoid filling every part of the panel with detail; the emptiness should make the world feel even larger. The scene should feel quiet, almost as though the landscape is waiting for something. NARRATION BOX: “And beyond what we know…” PANEL 5 — THE TURNING POINT Shape: Small, completely black panel at the bottom of the page, with a single white narration box in the centre. DRAWING: No visible characters. No explanation. Just darkness. NARRATION: ”…lies everything we have yet to understand.”

DRAGON STRIKERS PAGE 4 — THE QUESTION FORMAT: Japanese black-and-white manga page, read from right to left. Five panels. Detailed ink work, screentones, cinematic framing, and expressive character art. CHARACTER CONSISTENCY — SORA AMAMIYA Use the supplied Sora Amamiya reference sheet as the definitive visual reference. * Age: 17. * Height: 178 cm. * Build: slim and athletic. * Hair: messy, layered jet-black hair with sharp, irregular spikes and uneven bangs. * Eyes: sharp, light-grey eyes with dark pupils. * Face: youthful, defined features and sharp eyebrows. * Outfit: fitted black high-collar jacket with silver buttons, dark shirt, black trousers, black belt with a rectangular silver buckle, and black lace-up combat boots. * Hands: white bandages wrapped around both wrists and partially over the hands. Maintain his exact hairstyle, facial structure, clothing, proportions, and wrist wraps in every panel. Do not add weapons, powers, clan symbols, or accessories. PANEL 1 — THE LONE FIGURE Layout: Wide horizontal panel across the top. Camera: Rear three-quarter view, medium-wide shot. Scene: Sora stands at a high overlook above an enormous landscape. Mountain ranges stretch toward the horizon, rivers wind through distant valleys, and clouds cast shadows over the land. His black jacket and spiky hair are clearly recognizable. His hands rest naturally by his sides. Narration: “In a world whose boundaries remain unknown…” PANEL 2 — THE QUESTION Layout: Medium close-up. Camera: Side profile of Sora, looking toward the distant horizon. His light-grey eyes are visible beneath his uneven bangs. His expression is serious and thoughtful, without exaggerated emotion. Sora’s dialogue: “How can we understand this world…” PANEL 3 — THE CLANS Layout: Wide panel. Camera: A distant view of several different settlements separated by mountains, rivers, and enormous stretches of land. Do not depict named clans, clan emblems, specific leaders, or invented customs. Show only the vastness and variety of civilization. Sora’s dialogue: ”…when we don’t even understand why we live the way we do?” PANEL 4 — THE DECISION Layout: Narrow vertical panel. Camera: Close-up of Sora’s eyes, followed by a small view of his bandaged hand resting beside his jacket. His gaze becomes more focused. Keep the expression subtle and believable. Sora’s dialogue: “I want to know the truth.” PANEL 5 — THE JOURNEY Layout: Large bottom panel with dramatic perspective. Camera: Rear view of Sora facing a long road that disappears into the distant mountains. His silhouette stands against the enormous landscape. Use strong black shadows in the foreground and lighter screentones toward the horizon. Do not show Hugurumi, chains, supernatural effects, or any other characters. Sora’s dialogue: “So I’ll explore this world… and find the answers myself.” FINAL ART DIRECTION The page should feel quiet, serious, and mysterious. Sora is not posing heroically or fighting anyone. This is the moment the reader understands why he wants to explore. Keep every line of dialogue exactly as written. Use clear, legible lettering and traditional black-and-white manga shading. Preserve Sora’s reference design throughout.

DRAGON STRIKERS PAGE 5 — DEPARTURE FROM EVERDAWN FORMAT: One complete black-and-white Japanese manga page, portrait orientation, cinematic panel layout, detailed backgrounds, clean ink lines, high-contrast shadows, and screentones. CHARACTER CONSISTENCY — SORA AMAMIYA Use the previously supplied Sora Amamiya character reference sheet as the definitive reference. * Age: 17 * Height: 178 cm * Build: Slim and athletic * Hair: Messy, layered jet-black hair with sharp, irregular spikes and uneven bangs. * Eyes: Sharp, light-grey eyes with dark pupils. * Face: Youthful, defined features and serious eyebrows. * Outfit: Fitted black high-collar jacket with silver buttons, dark shirt, black trousers, black belt with rectangular silver buckle, and black lace-up combat boots. * Wrists: White bandages wrapped around both wrists and partially over his hands. Keep his face, hairstyle, proportions, outfit, and wrist wraps consistent in every panel. PANEL 1 — RETURNING HOME Layout: Wide horizontal panel at the top. Camera: Rear three-quarter view of Sora walking toward his home. Scene: Show Everdawn as a peaceful settlement beneath an expansive sky. Buildings line the streets, and warm sunlight falls across rooftops and stone pathways. The architecture should feel distinct and memorable, with detailed windows, rooftops, balconies, and distant towers. Sora walks toward a modest-looking home. His black jacket, spiky hair, and bandaged wrists should match the reference sheet. NARRATION: “Before setting out into the unknown, there was one place he needed to return to.” PANEL 2 — INSIDE HIS HOME Layout: Medium rectangular panel. Camera: Interior view from a corner of Sora’s room. Scene: Show a tidy, lived-in room with a bed, a desk, shelves, and a window overlooking Everdawn. Sunlight enters through the window, casting long shadows across the floor. Sora stands beside an open travel bag, preparing to pack. Keep the room detailed but uncluttered. Do not introduce photographs, letters, family members, weapons, or personal mementos unless specifically requested. PANEL 3 — PACKING Layout: Medium close-up. Camera: Three-quarter view of Sora placing folded clothes into his travel bag. Scene: The open bag rests on the bed. Several neatly folded garments are visible inside. Sora’s bandaged hands handle the clothes carefully. Show the black jacket, trousers, and wrist wraps consistently. His expression is calm and focused. No supernatural effects or weapons. PANEL 4 — READY TO LEAVE Layout: Narrow vertical panel. Camera: Full-body side view. Scene: Sora stands near the doorway with his packed travel bag. His black high-collar jacket, dark trousers, boots, and white wrist wraps are clearly visible. He glances toward the open doorway, where the light from outside illuminates part of his face. His expression conveys quiet determination. SORA: “It’s time.” PANEL 5 — THE GATE OF EVERDAWN Layout: The largest panel on the page, occupying the entire bottom section. Camera: Dramatic wide shot from behind Sora, looking outward through the enormous gate. Scene: Sora has reached the grand gate of Everdawn. Tall stone pillars and elaborate architectural details frame the entrance. Beyond the gate, a vast road stretches into the distant landscape, surrounded by hills and mountains. Sora stands at the threshold with his travel bag, facing the world beyond Everdawn. The settlement remains behind him. The open road lies ahead. Use heavy black shadows around the gate’s inner walls, contrasting with the lighter landscape outside. Make Sora’s silhouette unmistakable. No Hugurumi. No other characters. No action scene. No supernatural effects. The final panel must clearly show Sora leaving Everdawn through its gate, beginning his journey into the unknown. FINAL ART DIRECTION Maintain the same black-and-white manga style as Pages 1–4. Use clear panel borders, readable lettering, detailed environments, and consistent character proportions. The page should communicate one simple event: Sora returns home, packs clothes, prepares himself, and leaves Everdawn. Do not add new lore, characters, family details, or plot events beyond this description.